“Solder’s
Home”
1)
The title, “Soldier’s Home,” focuses on the setting. Do you have a clear
picture of Krebs’s home? Describe it, filling in missing detail from your
associations of home, Krebs’s routine or anything else you can use.
Krebs’s parents doesn’t
treat their son like a man. After coming home from the war his parents have
just decided to let him start driving the car. Krebs’s mother says speaking for
his father “He thinks you should be able allowed to drive the car” (169). Krebs
wants to be respected by his parents to live the life that makes him happy.
Krebs’s mother wants him to settle down. Krebs’s mother even says, “Charley
Simmons, who is just your age, has a good job and is going to be married. The
boys are all settling down; they’re all determined to get somewhere; you can
see that boys like Charley Simmons are on their way to being really a credit to
the community” (169). Krebs’s father wants him to get a job. Krebs’s mother
says for his father, “All work is honorable as he says” (169). Krebs’s sister
wants Krebs to be a part of her life. Krebs’s talks about all of the
“complications” of returning back home. He did however, stop and see his sister
play baseball before he leaves town.
3)
Belleau Wood, Soissons, the Champagne, St. Mihiel, and the Argonne were the
sites of fierce and the bloody fighting. What effect have these battles had on
Krebs? Why do you think he won’t talk about them to the people at home?
Krebs wanted to talk
about the war. Hemingway states, “Later he felt the need to talk but no one
wanted to hear about it” (165). Krebs thought that no one wanted to listen to
him.Hemingway states, “His town had heard too many atrocity stories to be
thrilled by actualities” (165.) The army had a major effect on Krebs. Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166).
4)
Why does Krebs avoid complications and consequences? How has the war changed
his attitudes toward work and women? How is his hometown different from Germany
and France? What is the conflict in the story?
Hemingway states,
“Krebs wanted his life to go smoothly” (170). That is why Krebs wanted to avoid
complications and consequences. Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166). Krebs explains the different types of guys in the army. Krebs final
explanation of women is, “You don’t need a girl unless you thought about them”
(167). Krebs than explains the only difference in French and German is the
women. The conflict in the story is all of the complications of returning back
home.
6)
How does Krebs’s mother embody the community’s values? What does Krebs think of
those values?
Krebs’s mother wants
her son to get a job and settle down. Krebs’s mother talks about the other
returned soldiers in town. Kreb’s mother even says, “Charley Simmons, who is
just your age, has a good job and is going to be married. The boys are all
settling down; they’re all determined to get somewhere; you can see that boys
like Charley Simmons are on their way to being really a credit to the
community” (169). When Krebs’s mother talks to Krebs about the returned
soldiers she uses the word “all” a lot to describe them as a whole. After
Krebs’s mother tell him all of these things Krebs says, “nothing” in return.
7)
Why can’t Krebs’s pray with his mother?
Krebs doesn’t want to
lie when he pray with his mother. Krebs dream he has for himself and his mother
dream for him are two totally different things. Krebs talks about
“consequences” a lot throughout the story. Krebs didn’t want to deal with
consequence of praying with his mother.
10)
Explain how Krebs’s war experiences are present throughout the story even
though we get no details about them.
Krebs’s talks about the
things he had learned in the army. Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166).
Works
Cited
Hemingway,
Ernest.“Soldier’s Home.” The Compact
Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed.
Boston: Bedford/St. Martin’s 2012. 165-170. Print.
No comments:
Post a Comment